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Twist and Shout The Beatles. How Do You Do It? Gerry And The Pacemakers. Have I the Right? The Honeycombs. Tobacco Road The Nashville Teens.
I'm Crying The Animals. She's Not There The Zombies. Sha La La Manfred Mann. I Feel Fine The Beatles. Love Potion No 9 The Searchers. She's a Woman The Beatles. Do You Want to Know a Secret? Billy J. Kramer And The Dakotas. The explanation for their popularity has little to do with the Canadian scene itself: the burgeoning international indie movement of the last decade has created a larger venue for more experimental artists, and the online democratization of music has made it easier for new bands to catch a break regardless of their location.
There is nevertheless something distinctive about Canadian indie rock. While most American indie rock bands seem to revel in their go-it-alone attitude only recently with projects like Dark Was the Night has any semblance of an American indie collective began to emerge Canadian musicians often act collectivity. PS I Love You in some ways epitomizes this and in others throws it by the wayside. They are part of an online community that quadruples as the place to find the goings-on-about-town in their home of Kingston, Ontario, a record label, music video club and zine.
And yet they might as well be an army. Not that that really matters. I listened to this song for weeks without knowing that there were just two guys in the band. For shame. This single is pure propulsion. There is no hook or verse, just continual upward motion. Yes, there is something distinctly heavy metal about this song: the beat may be post-punk but the guitar solo is more Black Sabbath than Joy Division.
The way he doubles the lines, his effortless shredding — Saulnier clearly has some nostalgia for times when guitarists proved themselves by doing more than looking pissed off.
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